SKU: 33734212050
pedal jhs

pedal jhs JHS Pedals 424 Gain Stage

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Description

pedal jhs JHS Pedals 424 Gain StageThe 424 Gain Stage gives all the elastic, lo fi tone you get from plugging a guitar rig straight into a TASCAM Portastudio 424. Now in pedal form, you can easily integrate the rubbery clean tones, high head room, and smashed out fuzz thats being repopularized by todays emerging guitarists. The original Portastudios were made famous in the 80s and 90s, and gave us the ability to bring our songs to life from the comfort of our cluttered bedrooms. These

The 424 Gain Stage gives all the elastic, lo-fi tone you get from plugging a guitar rig straight into a TASCAM® Portastudio® 424. Now in pedal form, you can easily integrate the rubbery clean tones, high head room, and smashed out fuzz that’s being repopularized by today’s emerging guitarists.   

The original Portastudios® were made famous in the ‘80s and ‘90s, and gave us the ability to bring our songs to life from the comfort of our cluttered bedrooms. These multi-track recorders meant for home studios found their way onto hit records like Springsteen’s Nebraska, the Wu-Tang Clan’s Enter the Wu-Tang, and Spoon’s Gimme Fiction. Many of the vocal parts and fuzzy guitar tracks on Gimme Fiction – a huge inspiration for the creation of the Colour Box – were actually recorded on a Portastudio®. Since hearing those recordings, the 424 Gain Stage has been brewing in the background, and now we’re proud to bring it to you.

In this historically accurate recreation, we perfectly replicated the original 424 MKI® circuit using the original UPC4570 and NJM4565 op-amps and all the original controls, which is crucial for recreating the unique character that makes the old units sound so good.  The Portastudio’s® gain controls–trim, channel volume, & master volume–all work in tandem for dialing up your desired tone and can be further refined with the Low and High EQ settings. In addition, our unit offers a ¼” output alongside a balanced XLR output (DI out) for ultimate flexibility in any situation, live or studio.

The 424 Gain Stage as a DI

Going DI will give you the exact same unparalleled gooey texture and lo-fi fuzz you get when plugging directly into a 424® without the hassle of dragging around your beloved Portastudio®. Leave it on your recording desk for easy access. If you want to get fancy,  you can toss an Active A/B/Y switcher at the end of your rig and send the A output to your amp and the B output to the JHS 424 Gain Stage input, then XLR output of the pedal directly into your mixer or interface. This way, you can flip between your amp and the 424 Gain Stage easily or play through both at the same time. Give it a try! 

The 424 Gain Stage with an Amp

Plugging a Portastudio® into your amp is quite a feat. In this pedal format, you can easily integrate the tone of the 424 with the saturation of your favorite amp. This adds a whole new quality to the tone and gives the ability to stack it with your other pedals. Use it as a gain stage to boost your signal, a unique and colorful new overdrive sound, or push the gain knobs into full-on overloaded and broken fuzz. 

VOLUME (Corresponds to Portastudio® Master) - Controls the output volume. Left is less, right is more.  On the Portastudio 424, this is the MASTER fader. 

GAIN 1 (TRIM) - Sets how much preamplification will be added to the input signal.  On the Portastudio 424, this is the TRIM control.

GAIN 2 (CHANNEL) - Sets the volume level of the second gain stage. On the Portastudio 424, this is the CHANNEL fader.

BASS - Cuts or boosts bass frequencies. Left is less, right is more. 

TREBLE - Cuts or boosts the treble frequencies. Left is less, right is more.

INPUT - Top ¼” right jack.

OUTPUT - Top ¼” left jack.

XLR OUTPUT - XLR jack on the left side of the pedal. This is a balanced output which can be used as a direct-out straight into a mixer or interface. The 1/4” output and XLR output can be used simultaneously.

GROUND LIFT - Dip switch on the left side of the pedal. If you experience a hum/buzz while using the XLR output, use this switch to lift the ground.

POWER - Requires 9VDC center negative power and consumes 50mA. 

The 424 Gain Stage is silent, soft touch switching with a buffered bypass.

THIS PEDAL MEASURES 2.6” X 4.8” X 1.6” AND CONSUMES 50MA. DO NOT USE MORE THAN 9VDC. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.

THE JHS PEDALS 424 GAIN STAGE IS IN NO WAY AFFILIATED WITH OR ENDORSED BY TASCAM®

TASCAM AND PORTASTUDIO ARE REGISTERED TRADEMARKS.

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SKU: 33734212050

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Joanne Hale
Phoenix, US
★★★★★ 2
The hype it did not live up to
Format: Paperback
I guess I expected more. I found it kind of boring and un inspiring. I enjoyed the food twist and even the characters, but it was very underwhelming. and I'm sorry about this review, because I really really wanted to love it.
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Reviewed in the United States on March 30, 2025
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John J. Shea
Carnegie, US
★★★★★ 5
A thoroughly-researched, thoughtful, and nuanced work about the 1692 Salem withcraft panic.
Format: Paperback
This graphic novel recounts the 1692 Salem (Massachusetts) witchcraft panic that engulfed Salem, Salem Village (now Danvers), and adjacent communities. About two dozen men and women were convicted and hanged, one was pressed to death (tortured) to try to force him to acknowledge the Court’s authority. That man was Giles Corey, aged 80. The book focuses on him, but it covers others among the accused and executed as well as on the judges, politicians, and other involved. (No so much on the accusers and their motives.). The narrative plays out chronologically with interstitial vignettes in which 19th Century literary figures Nathaniel Hawthorne and Henry Wadsworth Longfellow wander around Salem during the 1800s discussing the trials and their legacy. (Hawthorne lived in Salem for a time and was a descendant or the Court of Oyer and Terminer Judge Hathorne.). The work concludes with a chapter, More Wonders of the Invisible World, that follows how Salem developed economically up to the present day in which witchcraft-related Halloween tourism turns Salem town into arguably the least attractive “tourist attraction” on Cape Ann. (Do not skip this chapter, it is engrossing.) An extensive series of endnotes provide scholarly references and background information. The artwork veers back and forth between caricatures (the 17th century events) and realism (19th century and onwards). In both cases the line art is exquisite. The text includes quotes from transcripts of the trials and other contemporary documents as well as fictional dialog. Wickey worked on this book for more than a decade, and it shows in his thorough scholarship. This is, in all seriousness, Pulitzer/Eisner-level work. Wickey was born in Beverly and resides on Cape Ann. Most of us born and raised on the “North Shore” learn about the Salem witchcraft panic in high school -often as a cautionary tale about politics, spectral evidence, and what we would today call “lawfare.” I thought I knew a fair amount about the 1692 panic, but I learned something new with nearly every other page. I was especially glad to see Wickey cover now-debunked ergot-poisoning theory and that he dismissed the vile slander that some among the convicted and executed were actually witches. There’s nothing really “missing” from the book, though one wishes one could learn more about the fates of the accusers other than Ann Putnam. That their motives appear to have been “sport” is bone-chilling fully three centuries later. Read her "apology" years later and try not to think, "psychopath." At 500 plus pages, it's too long to read at one setting, but it is a pleasure to read at shorter intervals.
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Reviewed in the United States on December 26, 2025
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Salvatore P. Vasta
Port Orchard, US
★★★★★ 5
Masterpiece
Format: Kindle
It has been said that any work of literature should be gauged upon how much the work makes the reader think. Ben Wickey has certainly achieved this - in spades - as one of the “civilised” world’s most frightening episodes is revisited with respect and thoughtfulness on the human condition.
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Reviewed in the United States on January 12, 2026
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Jessica Richart
Charlottesville, US
★★★★★ 5
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Format: Paperback
I bought this book for my husband as a Christmas present and he enjoyed the book!
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Reviewed in the United States on February 17, 2026
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Molly H
West Palm Beach, US
★★★★★ 4
The Tale of Salem
Format: Paperback
If you’re not familiar with the history of Salem and its witch trials, this graphic novel is a solid entry point. The author, while not a historian, clearly put in the work—spending time in Salem, connecting with residents, and striving to honor both the historical record and the modern-day sentiments of those who live with that legacy. His goal was to get the facts right while also capturing how the people of Salem view their own history, and I think he succeeded in that respect. The artwork fits the subject matter well. We often imagine people of that time as living hard, joyless lives, and the art conveys that sense of austerity. The mix of black-and-white and color panels is sometimes striking—there are moments where the color really enhances the impact of a scene—but other times I wasn’t sure what it added. Still, the black-and-white aesthetic ties neatly into the grim tone of the era. That said, the book is quite long, and if you’re already well-versed in the Salem Witch Trials, you may not learn much new in terms of facts. But if you enjoy studying the trials or want to explore the story through a different medium, this graphic novel is definitely worth picking up. For me, it landed at a 3.5 stars, which I’ll round up to 4 (since I usually do that when posting on review sites).
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Reviewed in the United States on November 6, 2025

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